In Miloš Forman’s movie ″Amadeus″, we find ourselves  – or rather, Mozart – on the boundary of fiction and reality, narrated by his rival, Salieri, who goes mad after killing the greatest composer of this day from petty jealousy. But how does a ″biographical film″ depict the great composer? When does it cheat a bit, and when a great deal? When can the spectator laugh, and when does the director laugh into the spectator's face? Was Mozart's laughter really so maddening? One question after the other. Forman's work stands out both as a portrait of a brilliant composer and as a movie. Ádám Bősze’s presentation will focus on the cinematic masterpiece primarily from a music historical perspective; it doesn't turn a blind eye to its inaccuracies or its tongue-in-cheek wit. The music pieces featured in ″Amadeus″ are performed by the musicians of the Pannon Philharmonic.